I agree with mrdean, he and I listened to this PSU with a Corus, Berkeley Ref DAC and 925 amps via Magico S7's, Entreq Tellus gnd box..etc Blew us AWAY. Our mouths were hanging open. 'How'd it do that ?" was the reaction ! The increase in soundstage depth width and air was large, the "air" was deeper and magical, but what also changed was the midbass and lower bass now being more seamless in progression up the scale, presence wise. The now totally believable plucked string bass on Alison Krauss "Let me touch you for a while" is wonderful.
This is only the second piece I have ever said "Sold !" after < 30 sec of listening (the Entreq was the other, but that's another story).
We are going to try the Aeris, which I had earlier swapped out for the Berkeley, off the PSU too. If it's better, the Berkeley goes away.
FYI - One thing that really helped this system was using Shunyata Triton V2/Tyfon condiitoning + Shun Etron Alpha power cables for everything, in their intended use, ie HC for amps and so on. I believe that the fact that the system is SO incredibly quiet that it helps reveal the PSU's character, in a noisier set up it might not be as obvious, not sure ?
The blackness between the notes, the utter stillness of the air. Sarah Bareilles "Brave" , try 'Goodby Yellow Brick Road' and listen to the first 6 vocal bars, where the compressor/limiter gates are too tight and you can hear them breath and pump.. That quiet. That delicate.
True goose bump time.