the Ortofon Anna arrived Friday afternoon. Joel Durand was kind enough to offer to install it on my Telos yesterday afternoon. first we listened for awhile to the A90, which was sounding great. then the Anna.
http://www.ortofon.com/images/stories/cartridges/MC%20Anna/MCAnna%20Brochure%20webversion.pdf
the Ortofon Anna uses the same SLM (selective laser melting) to build the body as the A90 but it's now made of titanium instead of stainless. the 'Anna' is named after Anna Netrebko, the opera singer.
my previous taste of the Anna a few weeks ago in another system was not conclusive since we switched phono stages when the A90 was switched to the Anna. i could tell it was very special but the phono stage change was too extreme for any specific conclusions.
well; this time there was no place to hide. and as good as the A90 is and has been in my system, the Anna is now my reference cartridge.....and after listening for maybe 10 hours last night and this morning, i feel the Anna is not just a little bit better than the A90.
the Anna has some break-thru technology which i must admit i don't fully comprehend. as i understand it is more efficient at capturing energy and so is more linear and especially more dynamic. and what i hear is first an effortlessness and level of resolution that is startleing. this is from the first few seconds that it hits you as quite different. and there is quite a bit more texture and body, not any coloration or thickness or rounding, but just more life and organic color and richness.....even a sweetness. there is more spacial information, but also less 'noise' around images and more musically significant information. things are 'clean up and real'. you realize that distortion is lowered significantly.
it's better at all the things the A90 does well, that linearity and naturalness along with great transient snap and smooth extended highs and lows. then add in the sweetness on top of the Lyra Olympos SL, the attack and speed of the vdH Colibri, and the tonal richness and mid-range beauty of the Koetsu RSP without the rounding or carmel color. i've owned and enjoyed all those cartridges. the Anna does all those things, and also it has a special ability to bring more order and reality to the soundstage, and the music seems more of one piece and together. that little bit closer to real.
i'm blown away. bravo to Ortofon for having the vision to build such a great product.
the A90 is still a great cartridge; and the Anna is twice as expensive as an A90, so it should be better. i see the Anna as a natural next step for A90 owners who can afford it. it does pay homage to the attributes that attracted so many to the A90 while going to another level and adding strengths.
the Anna has .2mv output, the A90 .24mv output. i plugged it into the same set-up as my A90 had on my draTZeel NHB-18NS......it's loaded at 47k with 64db of gain. and the Anna had plenty of gain for my system.
i want to repeat the word 'effortless'. the Anna never breaks a sweat. i'm guessing that the technical advantages in efficency of this design is the secret of what it does.
i've not heard everything out there, but the Anna is easily the best of what i have heard. my only complaint is that my 60 year old eyes cannot see the stylus and cantiliver as easy to hit a specific groove.....i need my glasses for that now.
http://www.ortofon.com/images/stories/cartridges/MC%20Anna/MCAnna%20Brochure%20webversion.pdf
.jpg)
the Ortofon Anna uses the same SLM (selective laser melting) to build the body as the A90 but it's now made of titanium instead of stainless. the 'Anna' is named after Anna Netrebko, the opera singer.
my previous taste of the Anna a few weeks ago in another system was not conclusive since we switched phono stages when the A90 was switched to the Anna. i could tell it was very special but the phono stage change was too extreme for any specific conclusions.
well; this time there was no place to hide. and as good as the A90 is and has been in my system, the Anna is now my reference cartridge.....and after listening for maybe 10 hours last night and this morning, i feel the Anna is not just a little bit better than the A90.
.jpg)
the Anna has some break-thru technology which i must admit i don't fully comprehend. as i understand it is more efficient at capturing energy and so is more linear and especially more dynamic. and what i hear is first an effortlessness and level of resolution that is startleing. this is from the first few seconds that it hits you as quite different. and there is quite a bit more texture and body, not any coloration or thickness or rounding, but just more life and organic color and richness.....even a sweetness. there is more spacial information, but also less 'noise' around images and more musically significant information. things are 'clean up and real'. you realize that distortion is lowered significantly.
it's better at all the things the A90 does well, that linearity and naturalness along with great transient snap and smooth extended highs and lows. then add in the sweetness on top of the Lyra Olympos SL, the attack and speed of the vdH Colibri, and the tonal richness and mid-range beauty of the Koetsu RSP without the rounding or carmel color. i've owned and enjoyed all those cartridges. the Anna does all those things, and also it has a special ability to bring more order and reality to the soundstage, and the music seems more of one piece and together. that little bit closer to real.
i'm blown away. bravo to Ortofon for having the vision to build such a great product.
the A90 is still a great cartridge; and the Anna is twice as expensive as an A90, so it should be better. i see the Anna as a natural next step for A90 owners who can afford it. it does pay homage to the attributes that attracted so many to the A90 while going to another level and adding strengths.
.jpg)
the Anna has .2mv output, the A90 .24mv output. i plugged it into the same set-up as my A90 had on my draTZeel NHB-18NS......it's loaded at 47k with 64db of gain. and the Anna had plenty of gain for my system.
i want to repeat the word 'effortless'. the Anna never breaks a sweat. i'm guessing that the technical advantages in efficency of this design is the secret of what it does.
i've not heard everything out there, but the Anna is easily the best of what i have heard. my only complaint is that my 60 year old eyes cannot see the stylus and cantiliver as easy to hit a specific groove.....i need my glasses for that now.