As some of you will have seen I have been searching for a great amplifier for my ML CLX
My beloved Blue circles were damaged in an electrician accident.... too complicated to explain.....
I havent had the time or where with all to pack them and and ship off to have repaired
No one where I live can fix them.... anyway....
My good friend Pat Obrien of WAR Audio had been working on a pair of these Bakoon amplifiers that he hoped would work with the CLXs
There are some issue potentially with the Bakoon and the CLX... vide infra
Short description of Bakoon 100 watters
- Most advanced amplifier made by Akira San of Bakoon ( ie Japan made; not korean... same circuit)
- Super high precision satri circuit
- No Slew induced distortion
- No NFB global or local
- 1mhz plus frequency Satri Link current input/voltage input
As there is no NFB and no Zobel network much the same as Spectral, the worry was over the BACK EMF from the CLX
Also the rest of my system is DC coupled and running current input can be a bit scary
The Bakoon 100 watters arrived 2 weeks ago
Pat suggested running voltage input first to be safe
This I duly did with no issues and noted the usual painful break in of the amplifiers
One thing stood out on the CLX at this stage
The bass
The bass was unbelievably, deep fast and musical
I had been using the idescent with CLX
I turned it off
Bass was better without
I measured in room response down to 15 hz with clx
So my ears werent lying
My wife said " where is the subwoofer" how can the bass be this good?
Finally after two weeks I decided to try current mode
As my accuphase has a low output impedance it will drive directly the bakoon amp
But Pat cautioned against this and made some special balanced cables with a 1000ohm high quality resistor in it ( apologies I forgot if dale or vishay I am not an expert).....
OMG....
The bass was still there, but now the mdrange and highs were equivalent
But was accompanied by a sense of rightness
Instead of you mind having to think what was that instrument, where was that person standing and what is the room like
It was all just layed out in front of you and audiophile nervosa was replaced with sheer enjoyment
Several pieces of music stood out such as Beethoven's 6th, Holst planets, and Bartok's Concerto for orchestra
String tone was outstanding the differences between all four sections of the string section with different timbral qualities standing out
Especially woodwind sounded natural, and the differences between clarinet, oboe, etc quite clear.
Brass was stupendous and differences in the brass section clearly heard
Piano sounded like the natural big instrument it is
This morning, I placed a piece with percussion.... the after vibrations of the strike were all captured never heard this before
Interesting there was great air and extension in treble but if the music called for it great sweetness and delicacy I noted this a lot on classical guitar and solo violin
The one this that stood out most was the woodiness of instruments
This is something the CLX never seems to have done well for me in the past
Others experience may differ, but not for me
However on many track and especially vinyl... the essential woodiness was there
I am very pleased thus far
I will report back with more time
The only other thing I have noticed is the amps ability to display the acoustics of the recording including bounce off rear and side walls, and depth of orchestra to microphones and how far away instruments are
I have not experienced the Spectral amps personally
Being also high band width designs, I suspect them may work well also
Being in Australia, the issues of hum with the high voltage(240 Volt) and need to use MIT cables.. is off putting...
Happy for comments and questions
I should for clarity point out Pat Obrien is a very close friend and also the distributor of Bakoon in Australia
I have no pecuniary interest in Pat's business or Bakoon
In fact any one who knows me will tll you I was long a doubter about these unusal amplifiers
6 moons have reviewed the little bakoon amplifiers made in Korea ( I believe) with Satri circuits : 15 watters I think
These are the "big boys" 100 watters made in japan..... need I say more
Andrew
My beloved Blue circles were damaged in an electrician accident.... too complicated to explain.....
I havent had the time or where with all to pack them and and ship off to have repaired
No one where I live can fix them.... anyway....
My good friend Pat Obrien of WAR Audio had been working on a pair of these Bakoon amplifiers that he hoped would work with the CLXs
There are some issue potentially with the Bakoon and the CLX... vide infra
Short description of Bakoon 100 watters
- Most advanced amplifier made by Akira San of Bakoon ( ie Japan made; not korean... same circuit)
- Super high precision satri circuit
- No Slew induced distortion
- No NFB global or local
- 1mhz plus frequency Satri Link current input/voltage input
As there is no NFB and no Zobel network much the same as Spectral, the worry was over the BACK EMF from the CLX
Also the rest of my system is DC coupled and running current input can be a bit scary
The Bakoon 100 watters arrived 2 weeks ago
Pat suggested running voltage input first to be safe
This I duly did with no issues and noted the usual painful break in of the amplifiers
One thing stood out on the CLX at this stage
The bass
The bass was unbelievably, deep fast and musical
I had been using the idescent with CLX
I turned it off
Bass was better without
I measured in room response down to 15 hz with clx
So my ears werent lying
My wife said " where is the subwoofer" how can the bass be this good?
Finally after two weeks I decided to try current mode
As my accuphase has a low output impedance it will drive directly the bakoon amp
But Pat cautioned against this and made some special balanced cables with a 1000ohm high quality resistor in it ( apologies I forgot if dale or vishay I am not an expert).....
OMG....
The bass was still there, but now the mdrange and highs were equivalent
But was accompanied by a sense of rightness
Instead of you mind having to think what was that instrument, where was that person standing and what is the room like
It was all just layed out in front of you and audiophile nervosa was replaced with sheer enjoyment
Several pieces of music stood out such as Beethoven's 6th, Holst planets, and Bartok's Concerto for orchestra
String tone was outstanding the differences between all four sections of the string section with different timbral qualities standing out
Especially woodwind sounded natural, and the differences between clarinet, oboe, etc quite clear.
Brass was stupendous and differences in the brass section clearly heard
Piano sounded like the natural big instrument it is
This morning, I placed a piece with percussion.... the after vibrations of the strike were all captured never heard this before
Interesting there was great air and extension in treble but if the music called for it great sweetness and delicacy I noted this a lot on classical guitar and solo violin
The one this that stood out most was the woodiness of instruments
This is something the CLX never seems to have done well for me in the past
Others experience may differ, but not for me
However on many track and especially vinyl... the essential woodiness was there
I am very pleased thus far
I will report back with more time
The only other thing I have noticed is the amps ability to display the acoustics of the recording including bounce off rear and side walls, and depth of orchestra to microphones and how far away instruments are
I have not experienced the Spectral amps personally
Being also high band width designs, I suspect them may work well also
Being in Australia, the issues of hum with the high voltage(240 Volt) and need to use MIT cables.. is off putting...
Happy for comments and questions
I should for clarity point out Pat Obrien is a very close friend and also the distributor of Bakoon in Australia
I have no pecuniary interest in Pat's business or Bakoon
In fact any one who knows me will tll you I was long a doubter about these unusal amplifiers
6 moons have reviewed the little bakoon amplifiers made in Korea ( I believe) with Satri circuits : 15 watters I think
These are the "big boys" 100 watters made in japan..... need I say more
Andrew