Of course: Arteluthe Stiletto. Designed and built in Montreal, Canada. I am the owner and designer. Previously worked at Gemme Audio. My shop has been working with the same people for the past 15 - 20 years. Stiletto is a lot different from other loudspeakers because the reproduction is centered around a quasi full range driver in a sealed sub enclosure, reproducing seven octaves with perfect coherence. Below, from 25 Hz to 50Hz, a pair of low frequency transducers in a folded, tapered and sealed transmission line. Above 5000 Hz, a high definition 1,2 in. silk tweeter with back chamber extends response to 23 kHz.
With Stiletto, I wanted to achieve true full-range performance in a compact enclosure. Above all, I wanted low-end punch, definition and transperancy. I wanted a speaker that could reproduce - for example - the work of Billy Cobham like no other speaker. Obviously, all designers and manufacturers aim for the best sound for the least amount of money. I removed the "cost" factor and just went for sound, and quality.
Manufacturing in Canada is expensive, but being a small operation, exclusively geared for low volume production made Stiletto possible. we were able to implement a level of refinement that would be impossible to achieve in large-scale manufacturing.
For example, Stiletto features twin-hull enclosures, where custom multiply (maple / birch) panels are machined and assembled with all mounting hardware to form a chassis. Then, the chassis is fitted with dressed panels, each of them decoupled from the chassis but also decoupled from each other adjoining panel. The resulting construction is both inert at low frequencies and highly damped at higher frequencies.
Drawback is a lower than average sensitivity of 82 dB, partly compensated by higher than average impedance.