Bling,Bling!
Didn't sound too good at RMAF. In fact, couldn't get out of the room fast enough Was really hoping to hear a real breakthough; instead was really bright and thin (among other things) used with the Momentum amp, Aesthetix and SF Stradivari Homage.
Didn't sound too good at RMAF. In fact, couldn't get out of the room fast enough Was really hoping to hear a real breakthough; instead was really bright and thin (among other things) used with the Momentum amp, Aesthetix and SF Stradivari Homage.
Didn't sound too good at RMAF. In fact, couldn't get out of the room fast enough Was really hoping to hear a real breakthough; instead was really bright and thin (among other things) used with the Momentum amp, Aesthetix and SF Stradivari Homage.
Didn't sound too good at RMAF. In fact, couldn't get out of the room fast enough Was really hoping to hear a real breakthough; instead was really bright and thin (among other things) used with the Momentum amp, Aesthetix and SF Stradivari Homage.
Curious if anyone talked to him, and queried if HE was happy with the sound: if yes, what chance is there of there being improvements to the character of the sound produced by this component ...
Frank
Bright and thin...using SF Stradivaris and Momentums? ouch...
The cheap little table that Roy Hall had in his room sounded far better than the OneDoof. I think it was under $300.
i remember around that same time, STereophile reviewed the Sumiko Blue point special and said it helped produced better music for $250 than the $14K ML 31.5DAC. i suppose at the nascent stage of digital this was to be expected...funny now that SOTA digital is less expensive than SOTA TT!!!!!!
What do you consider SOTA digital? DCS? Playback design? Weiss? Stahltek? Constellation? Or something else. None are cheap dates.
I'd gladly put all of them up against something like the VPI Classic 3 combined with say a $5K Allnic Puritas, ZYX Omega or Lyra Titan i cartridge
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