This is what Jonathan Carr says on the Gon…
“Boron didn't become popular because beryllium was phased out - they coexisted for years, and during that period the cartridge designer was free to choose whichever one he felt best suited the design that he was developing.
I prototyped with beryllium a few times in the 1980s, but never totally warmed up to the sound. Around the same period I also prototyped with boron, but again with inconclusive results. And ruby / sapphire. And diamond etc.
In the end, for our early cantilevers I settled on a whisker-reinforced aluminum alloy (in rod rather than pipe form).
However, the whiskered aluminum worked best with a coaxial 3-way damper arrangement, which was time-consuming to adjust and sometimes drifted (or was whacked) out of alignment in the field.
Therefore, in the mid-1990s we put more effort into formulating rubber compounds for dampers, and the success of this allowed us to change our cantilevers from whiskered aluminum to boron rod.
One of the keys to a cartridge's sonic personality is the matching of dampers to cantilever - some dampers that work exceedingly well with boron are less good with aluminum or beryllium, some dampers are more oriented to sapphire / diamond cantilevers, yet other dampers are all-rounders that work tolerably well across a range of cantilever shapes and materials (but these may not nail the sound as well as a specifically dialled-in damper(s).
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In most MM / MI cartridges, however, the damper surrounds the cantilever, and is enclosed within replaceable stylus assembly. Therefore, when you replace the stylus of an MM with a product from a third-party retipper (Swing, JICO etc.), you will be getting a new stylus, cantilever and dampers, and presumably the damper will have been chosen to complement the replacement cantilever choice.”
Im considering purchasing the goldring 1006 or nagaoka mp150 on ebay. Both indicate additional international processing and custom charges. Does anyon...
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