here and there. I did fire them up 2 weeks ago when I had 35 people from the audio club here.
https://onedrive.live.com/?authkey=...=C484D43F51FF73DD!215399&cid=C484D43F51FF73DD
the ML3's (with SRA Virginia Class stands) are going up for sale when I get the time to do it. I've scratched the itch. I could never deny what the ML3's uniquely deliver for a particular subset of music.....and it was the right thing to do to have had the total privilege to be able to spend extended time with them. they are the real deal...…..and were 100% of what I expected.........I won't look back wondering about tubes again. I've seen the best from tubes in the context of a high efficiency, full frequency, large-scale system (adding the VAC Statement 450's as an additional data point).
but i'm also excited now that I've added the Tana active isolation under the dart mono's, and i'm over the moon on what that does. in a few months those will go in for the upgrade from 458 to 468 level.
https://onedrive.live.com/?authkey=...=C484D43F51FF73DD!215399&cid=C484D43F51FF73DD
the ML3's (with SRA Virginia Class stands) are going up for sale when I get the time to do it. I've scratched the itch. I could never deny what the ML3's uniquely deliver for a particular subset of music.....and it was the right thing to do to have had the total privilege to be able to spend extended time with them. they are the real deal...…..and were 100% of what I expected.........I won't look back wondering about tubes again. I've seen the best from tubes in the context of a high efficiency, full frequency, large-scale system (adding the VAC Statement 450's as an additional data point).
but i'm also excited now that I've added the Tana active isolation under the dart mono's, and i'm over the moon on what that does. in a few months those will go in for the upgrade from 458 to 468 level.
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