I love it Jim
Thanks so much
+1
This cartoon is one of your best!
I love it Jim
Thanks so much
I love it Jim
Thanks so much
I don't know what is funnier. The actually photo or how much the guy in it looks like Steve !
I suppose Peter wanted something closer to this ;-) See what happens when my doodles are not fleshed out.
Thanks Steve, Ron & Audioguy for the kudos.
View attachment 36990
I felt the same as you Christian. I did the experiment and listened both ways and truthfully with use of this rack there is absolutely no benefit for the Stillpoints under the components. Just my $0.02 but you should read about the shelves and the patents
BTW I still have Ultra 5's under my speakers. My buddy Marty will be here next week and the two of us will decide about spikes or Ultra 5's
You are absolutely correct and it is my mistake so my apologies to you and Christian as here is the post......I did exactly what Lloyd said and had them under my amps
http://www.whatsbestforum.com/showt...Steve-Williams&p=341753&viewfull=1#post341753
I would hope this would become a poster on the wall in Steves' listeneing room.
I had the pleasure of visiting Steve last weekend. I always enjoy my visits to Steve and have not heard his system in about a year, so catching up on the numerous tweaks (CMS footers) and changes (another pair of MB ultra interconnects) was eagerly anticipated. In addition to the audio side, we always have a good time hanging out. Let me cut right to the chase, which sadly is an ambivalent one. I have said for a long time that the finest amp I ever heard is the Lamm ML3 and this trip reinforced that opinion. The "ah hah" moment came when Steve played on of Ed Pong's UtraAnalogue recordings of a Beethoven violin sonata. Simply put, this was the finest reproduction of recorded sound I have ever heard. The timbre of the violin was simply uncanny and as real a "you are there" experience as I could have ever imagined. Midrange to die for, on steroids. (I'm sure his Studer and Doshi head amp had something to do with it). Unfortunately, I have never heard a solid state amplifier that can do what the Lamm ML3 does, nor do I expect I ever will. So why the ambivalence? Sadly, although we have the same relatively efficient speakers (Wilson Alexandria S2) I realized that the ML3 would never deliver adequate power for my needs as my room is at least 3x larger than Steve's. But oh, what sound. Crap. It appears I have some work to do...
View attachment 37753
I had the pleasure of visiting Steve last weekend. I always enjoy my visits to Steve and have not heard his system in about a year, so catching up on the numerous tweaks (CMS footers) and changes (another pair of MB ultra interconnects) was eagerly anticipated. In addition to the audio side, we always have a good time hanging out. Let me cut right to the chase, which sadly is an ambivalent one. I have said for a long time that the finest amp I ever heard is the Lamm ML3 and this trip reinforced that opinion. The "ah hah" moment came when Steve played on of Ed Pong's UtraAnalogue recordings of a Beethoven violin sonata. Simply put, this was the finest reproduction of recorded sound I have ever heard. The timbre of the violin was simply uncanny and as real a "you are there" experience as I could have ever imagined. Midrange to die for, on steroids. (I'm sure his Studer and Doshi head amp had something to do with it). Unfortunately, I have never heard a solid state amplifier that can do what the Lamm ML3 does, nor do I expect I ever will. So why the ambivalence? Sadly, although we have the same relatively efficient speakers (Wilson Alexandria S2) I realized that the ML3 would never deliver adequate power for my needs as my room is at least 3x larger than Steve's. But oh, what sound. Crap. It appears I have some work to do... (...)
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