Well, sort of. Microstrip asked if I could point him to objectivist reviews the other day. I tried, but the truth is there aren't many of them out there. That just isn't the direction audio journalism has taken, and it's understandable, I suppose, because it is not entertaining. There are articulate, highly-knowledgeable objectivists out there on the net running tests, designing gear and reporting on it regularly. Sean Olive's blog, The Well-tempered computer, Doug Self and a few others come to mind. One of my favorites is a gentleman who goes by NWAV guy. I like him because he doesn't just measure and comment, he digs in and designs stuff and reports on the successes and failures and the why and how. If you want to understand the objectivist point of view, NWAV Guy is a great place to start. And a great place to start on his site is following his adventures as he designed and tested his ODAC (Objective Digital to Analog Converter). He just finalized it and posted his summary report, and it's not only an interesting read about the development of a DAC, I think it says much about the objectivist audiophile philosophy.
It speaks well, I think, to the POV and objectives of the breed:
It defines what is and is not important:
IS...
Not...
And because I know any mention of transparency or neutrality as a goal always elcits questions regarding how one knows what is and is not transparent, I was delighted to see an answer:
This is pretty top line. For a deeper view, click on the "what we hear" link, but I think the bottom line is the people who ask that question do not trust measurements, and the people who believe transparency is both achievable and desireable do. It's pretty simple; if you believe listening is the only way to judge the accuracy of a system, accuracy will always be a fungilble concept. You can believe in the accuracy of whatever you like.
The article reveals that many common audiophile concerns that drive the development of "subjectivist" designs are shared by objectivists; the solutions are just different:
What this, and the snake oil section above says, I believe, is that many audiophile design concerns, about things like power, jitter, noise, etc., are legitimate. But there is not one right solution. All DACS don't need to be asynchronous; all USB power doesn't generate audible jitter or pass noise from the computer to the analog system -- it's all about implementation and many of our concerns (which are often leveraged to sell us ever more expensive, over-engineered gear) are born of a lack of understanding or a very narrow and limited understanding. And I'll include myself in there, though I'm learning.
NWAV Guy supplies some measurement, but just a subset of what he's done along the way in the development of the ODAC. He promises more to come.
I love this stuff, and while I almost never understand all of it, I learn something everytime I dig into some of it, and I personally find it much more enlightening than any subjective reviews. But the bottom line is it probably wouldn't interest me in the slightest if what I hear didn't support it. It always has. Along my audio journey, I have consistently moved toward "objectivist" choices, even before I knew what they were. In the 70s I abandoned low power and horns for more power and acoustic suspension. In the 80s my work took me into recording studios where I heard active systems for the first time and was blown away by the ease and clarity. In the 90s, I got a decent cd player and loved the open, crisp, quiet clarity of digital, and not long after, my turntable was in a closet. YMMV, of course. If it does, listen to what you like, don't worry about it's objective performance, and enjoy the music. But if you're interested in understanding the objectivist POV, NWAV guy will help.
Find the whole thing here: http://nwavguy.blogspot.com/
Tim
It speaks well, I think, to the POV and objectives of the breed:
LIKE O2 LIKE ODAC: The O2 amplifier was created as a simple, low cost, minimalist design delivering 100% transparent performance into nearly any headphone
It defines what is and is not important:
IS...
having your DAC disappear from the signal chain.
Not...
NO SNAKE OIL REQUIRED: Many audiophiles want to believe more elaborate or exotic DACs offer higher fidelity. The ODAC demonstrates you don’t need any of these for 100% transparent performance:
• Asynchronous USB
• UAC2 (USB Audio Class 2) Support
• Asynchronous Sample Rate Conversion (ASRC),
• Minimum Phase Filtering (no pre-ringing)
• Non-oversampling NOS DAC chips
• Dual DAC chips
• Balanced Outputs
• Vacuum Tube Stages
• Elaborate and/or High Current Power Supplies
And because I know any mention of transparency or neutrality as a goal always elcits questions regarding how one knows what is and is not transparent, I was delighted to see an answer:
TRANSPARENCY GUIDELINES: The What We Hear article offers information and references outlining guidelines as to what’s required for a piece of audio gear to genuinely disappear from the signal path and not alter the sound in any audible way. Here are what I believe to be relatively conservative criteria for audible transparency and the ODAC (as well as the O2) passes all of them:
• Frequency Response 20hz – 19 Khz within +/- 0.1 dB (Most DACs, due to the Nyquist limit of 22 Khz, start to roll off past 19 Khz when operating at 44 Khz sampling rate—the ODAC is down about 0.4 dB at 20 Khz)
• All Harmonic, IMD, Alias, Modulation, & Crosstalk Components Below –90 dB and total sum below –80 dB (0.01%) relative to 0 dBFS
• All Noise Components below –110 dB and total sum below –100 dB relative to 0 dBFS
• All Jitter Components below –110 dB and total sum below 100 dB relative to 0 dBFS
This is pretty top line. For a deeper view, click on the "what we hear" link, but I think the bottom line is the people who ask that question do not trust measurements, and the people who believe transparency is both achievable and desireable do. It's pretty simple; if you believe listening is the only way to judge the accuracy of a system, accuracy will always be a fungilble concept. You can believe in the accuracy of whatever you like.
The article reveals that many common audiophile concerns that drive the development of "subjectivist" designs are shared by objectivists; the solutions are just different:
THE POWER SUPPLY: For reasons explained in the earlier ODAC articles, the ODAC is USB powered. This allows it to work standalone, as an internal add-on to the O2, and in the upcoming ODA. There are many obvious advantages to USB power but it often degrades performance due to noise. To get around this, the ODAC uses split digital and analog power supplies each with their own filtering and regulator. The analog supply has additional filtering and the critical reference voltages, and negative supply for the DAC chip, are further optimized. I literally tested more than 100 variations of components, including different brands of capacitors, to get the most out of the ES9023. This level of refinement would be impossible without a serious audio analyzer.
What this, and the snake oil section above says, I believe, is that many audiophile design concerns, about things like power, jitter, noise, etc., are legitimate. But there is not one right solution. All DACS don't need to be asynchronous; all USB power doesn't generate audible jitter or pass noise from the computer to the analog system -- it's all about implementation and many of our concerns (which are often leveraged to sell us ever more expensive, over-engineered gear) are born of a lack of understanding or a very narrow and limited understanding. And I'll include myself in there, though I'm learning.
NWAV Guy supplies some measurement, but just a subset of what he's done along the way in the development of the ODAC. He promises more to come.
I love this stuff, and while I almost never understand all of it, I learn something everytime I dig into some of it, and I personally find it much more enlightening than any subjective reviews. But the bottom line is it probably wouldn't interest me in the slightest if what I hear didn't support it. It always has. Along my audio journey, I have consistently moved toward "objectivist" choices, even before I knew what they were. In the 70s I abandoned low power and horns for more power and acoustic suspension. In the 80s my work took me into recording studios where I heard active systems for the first time and was blown away by the ease and clarity. In the 90s, I got a decent cd player and loved the open, crisp, quiet clarity of digital, and not long after, my turntable was in a closet. YMMV, of course. If it does, listen to what you like, don't worry about it's objective performance, and enjoy the music. But if you're interested in understanding the objectivist POV, NWAV guy will help.
Find the whole thing here: http://nwavguy.blogspot.com/
Tim