The epitome of cool and some of the greatest music laid down on wax. Beautiful, huge mono sound...expensive but worth every penny for an original
'Round About Midnight, 1955, CL 949. Miles' first record with Columbia recorded while still under contract to Prestige...a masterpiece. My personal favorite Miles Davis recording...
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Milestones, 1958, CL 1193. Awesome music. Better album cover.
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Kind of Blue, 1959, CL 1335. Best selling jazz LP of all-time and arguably the 3rd best record of this group...You haven't really heard this until you've experienced an early mono pressing with a dedicated mono set up...magical
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Doc, I found a pretty decent copy of Round Midnight, the jacket is intact and unmarked but it is beginning to split at the top seam; the vinyl is not quite mint, but surprisingly good so far, one noticeable tick on side one, a little surface noise, but overall, extremely good sonically. Just alive! The playing is something else- I understand why you like this record musically. Came with the original inner liner. I think I paid about 30 dollars for it. It's pretty much hit and miss on old vinyl, or any used vinyl, but I'm enjoying the hell out of this.
I also fired up side one of that Saturnalia album, but want to listen to it more carefully because the system was in warm up mode at the time. The inner sleeves are like styrofoam- I had a hell of a time getting the record out. Of course I cleaned it and replaced the sleeve on album one. More later. Thanks for the heads-up on both records.
The Gutter Twins "Saturnalia"
From the Amazon website:
"The first album from the collaboration forged in late 2003 by Mark Lanegan and fellow maverick singer-songwriter Greg Dulli. "Saturnalia" finds the Dulli nicknamed "Satanic Everly Brothers" going even deeper into the shadows than ever before. It proves rootsy but baroque, handmade yet modernist, teeming with siren melodies that don't resolve. The cumulative effect proves internal yet epic: the netherworld symphonics of Mogwai, Sigur Ros, and Bohren und der Club of Gore are touchstones, alongside the sprawling emotions of Pink Floyd, the melodically catchy paranoia of the Beach Boys, the primal confessionals of John Lennon. Still, what Dulli and Lanegan achieve ultimately feels like the determinedly individual product of two auteurs coming together."
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A really great double LP on a demo quality recording.
This is a cool set of records Doc. If I had to explain it to somebody, I'd say, take the melodic sensibility of Green Day's 'American Idiot,' have Trent Reznor render the performances and have Rob Zombie produce it! It's strangely wonderful- I'm on side 2, cranked up. And yes, it's sonically a spectacular set of recordings. Side 3 is very cool.
Glad you like it Bill. Definitely of demo disc quality and not the usual audiophile crap you hear over and over and over again at shows. I love the description "Satanic Everly Brothers"...really catpures the flavor of the band!
Yep, I listened to all 4 sides, it was very engaging, the review comment about unresolved melodic lines was spot on, there were a number of melodies that they could have developed into complete songs, but that wasn't the point. I then switched over to Shelby Lynne's Tear, Lies and Alibis (which I noticed you had also recommended in the SL thread elsewhere). Great record. Unfortunately the copy i got was extremely warped, although playable. I'm going to stop buying new, standard issue vinyl from Amazon, because it seems like they don't know how to store this stuff (if in fact they are warehousing it). I've had a number of warped, new issue non-audiophile records from them. bummer.
Pulled this one from the stacks recently and it's a great trip down memory lane and a fantastic recording. I had a huge crush on Deborah Harry in high school...sigh.
I think most men of our generation had a crush on Debbie Harry back then! There are a couple of repressings of Parallel Lines that are worth looking out for.
You must have a hot stamper because my copy sounds truly dreadful.![]()
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