When I moonlighted at Chesky Records, David Baker (one of the great recording engineers) sat in on a session. Very nice man who went on to produce and record some amazing jazz albums. David Chesky said he was one of the best in the business. David did not say things like that lightly. He worked at the Eighty-Eights label until his passing and those Hank Jones SACDs he did there are some of the best sound I have heard on jazz. I'm not sure which are on LP though. I believe he trained the existing engineer as well or at least passed on some top practices. His work is also outstanding.
Lee, I've been home sick, and one of the things I can manage is to cue records. I'm currently listening to an album entitled "Hello, Hank Jones" with Clifford Jordan on East World, apparently a direct to disc recording- sounds fab. Cutting engineer is credited as Ray Janos.
I heard that rumor too. Given the huge range of music on Maestro Classics and 30 Years Tube, I wouldn't be surprised. After working with Winston Ma and hearing his stories, I realize how tremendously difficult it is to secure reproduction rights.
You can say that again! The major labels often demand absurd, up front money from these small labels. Many times, that prevents them from getting those recordings. On top of that, they'll only send their tapes to certain people they know in the local vicinity for mastering. Or they'll try and get you to accept a digital copy. Bruce can fill in more of the blanks
Lee, I've been home sick, and one of the things I can manage is to cue records. I'm currently listening to an album entitled "Hello, Hank Jones" with Clifford Jordan on East World, apparently a direct to disc recording- sounds fab. Cutting engineer is credited as Ray Janos.
While you're on it, picked up a copy of the Otis Rush: Right Place, Wrong Time. What is strange is that TTP says it was released on the Bullfrog label but the copy I found for $5 at CAF was on the Hightone label. Maybe it was a later release. Anyway sounds pretty darn good and sure the tape release will trump it!
You're right on the money with these 2. I just played them and I think there is none more analogue sounding LP of Nat than the AP pressings cut at 45RPM. Indeed a tad brighter and grainier by comparison, and the AP is more relaxing to listen to.I just wished the guys at AP would put a round sticker that says 45RPM like those RR lps of old. I played them at 33.3 and got a bit alarmed.
Carnaval- Ron Carter, Hank Jones, etc.- found an old cut-out on Galaxy in my stacks- pretty amazing record, piano seems to 'ring' on certain high notes, horns and drums are amazing; great performance.
Just got this one and it is terrific. Hawkins on the left, Rollins on the right and the rhythm section in the center. "Summertime" has an evocative, spectacularly well recorded acoustic bass solo. Bonus is the great cover art.
Just got this one and it is terrific. Hawkins on the left, Rollins on the right and the rhythm section in the center. "Summertime" has an evocative, spectacularly well recorded acoustic bass solo. Bonus is the great cover art.
I've been trying to play lot's of stuff that I haven't heard in my collection, but every once in a while a warhorse tempts me. That Athena pressing of Johanas conducting Dallas Symphony of Rachaminoff Symphonic Dances is on most lists for a reason: what a great recording and performance! Well worth a listen if you haven't played it for a while. Perhaps just a blithering insight into the obvious.
I've been trying to play lot's of stuff that I haven't heard in my collection, but every once in a while a warhorse tempts me. That Athena pressing of Johanas conducting Dallas Symphony of Rachaminoff Symphonic Dances is on most lists for a reason: what a great recording and performance! Well worth a listen if you haven't played it for a while. Perhaps just a blithering insight into the obvious.
Just got this one and it is terrific. Hawkins on the left, Rollins on the right and the rhythm section in the center. "Summertime" has an evocative, spectacularly well recorded acoustic bass solo. Bonus is the great cover art.
Led Zeppelin "Stairway To Heaven" 12 inch 45 rpm single pressed on clarity vinyl by Classic Records. This is a test pressing and very few exist. This was never released for sale/production (clarity vinyl version). It is the best sounding version of the song bar none, save for the master tape. It was a heated auction to say the least.
Led Zeppelin "Stairway To Heaven" 12 inch 45 rpm single pressed on clarity vinyl by Classic Records. This is a test pressing and very few exist. This was never released for sale/production (clarity vinyl version). It is the best sounding version of the song bar none, save for the master tape. It was a heated auction to say the least.