Congratulations on the C-47 - I love my C37 after having tried and owned many different phono stages. After starting with the E-600 and listening to the C37 I ended up moving on from much more expensive separates tube phono stage and pre combo (Shindo Giscours/A23 Hommage+Cortese+Haut Brion) to...
Excellent short summaries!
I'll comment on some of the ones I owned or heard more extensively at friends/dealers:
Shindo - Lively, detailed, good textures. I really loved the original Ken Shindo designs - Monbrison, Haut Brion, Cortese. I would consider an original Giscours too.
Accuphase -...
Thanks!! Have you tried the FrontRow vs Au24SX to the conditioner or also from aR6 to amps etc.? Also, have you tried any of the other FrontRow cables (IC, speaker)?
Very curious on your impressions on the TSSOX vs the TSSOX-M version - I just received a brand new TSSOX -M with the name now changed to aR6-T4 to mark the larger departure from the TSSOX.
Are you using it primarily with Au24 SX cables or the new frontRow power cords?
Which phono stage did you use for the Allaerts? The MC in the Shindo or a separate set-up of phono? I am very familiar with both the Monbrison and Allaerts MC1B...
I would not expect the Allaerts MC2 with its high internal impedance to work well with anything but a solid state phonosage with...
I second the Accuphase C37 - real depth, wonderful tonality, textures and details, dynamic. Loading and gain is easily adjustable for each input.
Another choice for multiple inputs is the Cyrus phono ...
I second the suggestion for Accuphase integrated amps - in addition to the E470 I would add the E600 Class A amp to the list. While it does not have the max. output power of the E470 it is extremely stable into 2 and even 1 Ohm loads with power still doubling to 120W into 2 Ohm. I moved to the...