VAC Statement Phono Stage

wizard

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wizard-highend.blogspot.com




 

Shaffer

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I really like the four inputs, especially the balanced option.
 

XV-1

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May 24, 2010
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Wow 50k

Luv the 4 inputs, each with separate ground terminals.

Not so sure why mm gain is 52db - a bit high, there should also be 45db gain. The loading choices are weird as well.

Does this phono use active gain or sut's for the mc gain?
 

mep

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I guess it makes perfect sense to have a $50K phono stage to go with your $35K tonearm.
 

jazdoc

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I know it's expensive. and who knows what it sounds like, but by God Almighty that is beautiful to look at!
 

XV-1

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Thanks Wizard.

Definitely SUT's used for the medium and high gain.

This is a single phono stage with a selector switch for the 4 inputs. You will need to potentially change the impedance settings each time you change turntable/tonearm. That is one of the pains of the excellent sounding Pass xp-25 as well as my Thoress/TW phono stage

The better option is for separate phono inputs that can be customized for each cartridge. Like Burmester, Boulder, ARC, Esoteric, Brinkman to name a few.

With the controversy over the $35k tonearm I cannot possible see where $50k has gone into a single phono stage with a input selector.
 
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rockitman

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I know it's expensive. and who knows what it sounds like, but by God Almighty that is beautiful to look at!

To me, this is a better value than a uber expensive tonearm as long as it sounds spectacular. I think a phono stage is more important than the tonearm and cart within reason when it comes to ultimate fidelity Extracted from the groove.
 

XV-1

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it's hard to quibble about a product without hearing it first. and i applaud the effort to move the state of the art of phono stages forward. i think very highly of all the VAC gear i've heard for sure.

but i agree about the input switch. it cannot make it sound better, and likely has some sonic cost. when you are dealing with less than .2mv signals there are no places to hide.

i can see it in a 'around $10k phono stage' like the Allnic H3000 i had. sounded great, very flexible. but ultimiately it was somewhat compromised by being so flexible. i did enjoy being able to have 4 tonearms and cartridges all 'at hand'.

for $50k my priority would be pure teleportation. maybe it can do it.

Hi Mike, I did not comment on its sound, as I have not heard it. I am sure it sounds superb, just struggling to find 50k's worth, whereas there has been 20 pages on the pricing of a 35k tonearm.
I hope the transformers have plenty of Silver as that goes some way to justifying expensive phono's like Ypsilon or Kondo.

Cheers
 

mep

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Last I knew, VAC used Sowter transformers for MC cartridges and they don't contain any silver wire to my knowledge. I had my Counterpoint SA-5.1 modified by Mike Elliott with Sowter 8055 transformers and I hated them. I sent the preamp back to Mike and had him remove them. Even though the Counterpoint SA-2 pre-preamp had more noise, it was 1000x better sounding to my ears than the Sowter transformers.
 

XV-1

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Last I knew, VAC used Sowter transformers for MC cartridges and they don't contain any silver wire to my knowledge. I had my Counterpoint SA-5.1 modified by Mike Elliott with Sowter 8055 transformers and I hated them. I sent the preamp back to Mike and had him remove them. Even though the Counterpoint SA-2 pre-preamp had more noise, it was 1000x better sounding to my ears than the Sowter transformers.

If that is still the case, pricing even more hmmm.:rolleyes:
 

FrantzM

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I know my buddy Frantz will comment on MSRP but I must say that Kevin sure knows how to make eye candy as well as very good gear

:D

No doubt the inside is eye candy but .. Come one people!! To paraphrase Jeff Fritz: " Madness"

I mean really.. Of course it extracts so much more from the groove of any LP ... etc .. Couple that with a 150 K TT plus a $15,000 Cartridge mounted on a $35,000 Arm on a $15,000 Isolation device connected by 10,000 K of IC and you have
$275,000 Just for the LP section ... :rolleyes:

Am I the only person to find this ludicrous?
 

mep

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It looks beautiful. Is it worth $50K? Only the people who buy it can answer that question. He appears to be using naked Vishay resistors which are expensive (in small quantities they cost around $7 each the last time I bought a batch of them compared to a 50 cent metal film resistor). However, I see lots of dirt cheap electrolytic caps inside as well.
 

rockitman

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It looks beautiful. Is it worth $50K? Only the people who buy it can answer that question. He appears to be using naked Vishay resistors which are expensive (in small quantities they cost around $7 each the last time I bought a batch of them compared to a 50 cent metal film resistor). However, I see lots of dirt cheap electrolytic caps inside as well.

Of course it's the engineering that counts, not necessarily if each resistor, cap is the best/most expensive. The sum total for any statement product's parts is a fraction of the msrp set by the manufacturer anyway.
 

mep

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Of course it's the engineering that counts, not necessarily if each resistor, cap is the best/most expensive. The sum total for any statement product's parts is a fraction of the msrp set by the manufacturer anyway.

You are correct Christian. I have said before on numerous occasions that I would much rather have a component with a superior design that was built with cheap parts than a bogus design that used boutique mega-expensive parts. The better designed circuit will always sound better. Boutique parts are the icing on the cake, but you still need a cake.
 

FrantzM

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If there is a justification for the price, it was provided to the manufacturers by some posts. Is this Phono Stage superior to anything else costing much less? Such questions need to be asked... The answers/comparison do advance the SOTA wherever it is at this point in time. What doesn't is blind acceptance of price as an indication of superiority. If a person feels no need to ask and just is able and willing to acquire any gear whatever the asking price, more power to her/him and his/her bank account. For the vast majority of audiophiles those are becoming increasingly pertinent questions with the ever increasing prices for dubious to vacuous increments in performance.
 

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