Amir
Founder, Madrona Digital Audio, Video, Home Automation
Contributing Editor, Widescreen Review Magazine
I don't expect to be in the majority in this crowd, Mark. But I am a guy sitting in a room playing guitar and singing, I've been doing that for almost 50 years, and prefer what you like but I'm here to tell you, the only way that particular vinyl is more real than that particular CD is if the strings on that guitar were stone dead. In which case I'll have to wonder how that CD manufactured such authentic-sounding string sound that wasn't there.
....and drowns a lot of high frequency information. One thing is for sure: there's the dividing line. Impossible to miss, even on a YouTube video. You guys can stop telling me what I haven't heard now. I've heard it. I just don't like it.it does demonstrate that LP subjectively has a transfer function that appeals to certain part of the population.
Tim
In high-end audio, you can't even fight an opinion with the facts.
Did you watch the video Mark? The guy who produced the thing was there. He described the process. There was no re-mix.There was no EQ. And the "filter" on that vinyl was a hell of a lot lower than 20kHz, by the way.
What I think, is not that analog has less high frequency info that redbook, but that vinyl adds enough midrange to drown it. That's not just what I think, it's what I hear. Particularly in this example.
Tim
In high-end audio, you can't even fight an opinion with the facts.
By the way, did they say the name of that album was Dirt Floor? I'd like to acquire it.
Tim
In high-end audio, you can't even fight an opinion with the facts.
And it appeals because it sounds more real. Last night during my listening session I jotted down the following on my notepad:
Digital is soulless next to analog and if you don't understand that, you never will.
And it really does help to understand the differences if you get to hear both analog and digital on a regular basis in your room and on your system.
Tim- He desribed how it was recorded which I understand. He didn't describe what happened along the way to make the CD version or the LP version. Somebody mucked with it. Actually, the sound of the YouTube video is pretty horrid and even on the CD version I don't think his guitar sounds good. Yes, it's more prominent in the mix, but it still sounds like crap to me. Even though the recording on YouTube is terrible, you can still tell his voice sounds much better than the CD version.
The bottom line is we know very well how the tape was recorded. What we don't know is what happened during the mastering to vinyl and the CD mastering. They are not the same mix and I would bet money on that.
What you fail to understand is that analog didn’t make the strings of his guitar sound they way they do. The way it was mastered made it sound that way. And let’s not forget the horrid recording of this event on YouTube. And I wouldn’t be hanging my hat on how ‘good’ his guitar sounded over the CD version. It still sucked.
All you heard was a guitar sounding louder, not necessarily ‘better.’ And even through this crappy sounding video, his voice still sounded a 1000x times better via analog. Even a deaf man could hear the difference. Jeez, my recording of Sonny Rollins that I posted on WBF sounds like a million dollars compared to this video.
In high-end audio, you can't even fight an opinion with the facts.
Okay, I just checked in at the 1:00 hour mark. If he described the difference before that, I missed it. But I don't care because if he captured it on the tape, it would have transferred to vinyl if it was mastered correctly. Did he say who mastered the vinyl? Does anyone besides you really want to claim that digital captures high frequencies better than analog?
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