Offered without comment (at least for now);
http://standpointmag.co.uk/node/4433/full
Be sure to read comments by Michael Fremer and Sam Tellig.
Offered without comment (at least for now);
http://standpointmag.co.uk/node/4433/full
Be sure to read comments by Michael Fremer and Sam Tellig.
If somebody makes their living with digital, you would not expect them to say anything else. On the other hand, he goes "luddite" on the mp3 and ipod crowd, the same way he claimed the vinyl crowd were deluded luddites.
I listen to compressed a fair amount, through a Yamanha receiver in Santa Cruz, and it sounds pretty darned good for what it is. No comparison to vinyl, but it is a lot better than starving.
Seems to me that's always been the "first" choice if you could get the software. That ship sailed long ago.If the masses ever heard a properly set-up and modern R2R, they could never go back and listen to digital.
Rob
I could be arguing in my spare time
Interesting that with all the reviews, comparisons, opinions of phono and cd players I've never read or heard any critiques of the sound of tape equipment. Does Otari sound better than Ampex? Which tape heads sound best, Nortronics or some other brand? Whose electronics sounds best, Crown or TEAC? Which tape formulation sounds better 3M, TDK, Maxell? Which sounds better CRO2 or conventional ferrous oxide? Is Dolby A, B, or C an improvement or degradation? Nobody talks about the relative sound of FM tuners either (maybe FM wasn't to be taken seriously anyway.) If for some audiophiles analog R2R is the reference standard, why are their no reviews of the sound, debates, flame wars like there are for other classes of playback equipment? This could be a whole new unexplored area of discussion (somehow I don't think it will be.)
here are 2 Forum's (one is right here on WBF) with quite a bit of information on RTR. you are not going to see much agnst or conflict.
http://www.whatsbestforum.com/forumd...8-Reel-To-Reel
http://www.tapeproject.com/smf/index.php
Bookmarks