Can you believe the mastering equipment and playback gear MoFi used in their early years? Here's the gear listed on a sheet inserted into the Fleetwood Mac album.
Pickups:
FR FR1 Mk3
Arm:
FR 64S with B-60 Elevator/Stabilizer
Turntables:
Denon 6000 and 1500
Revox B-790
Preamp:
Mark Levinson ML-1 w/D-6 card
ARC SP6
DB Systems 1a
Amps:
ARC D-110
Threshold CAS-1 (Nelson designed if I remember correctly???)
DB Systems 6m (don't remember this one???)
Speakers:
Beveridge Model 2
RH Labs subs
B&W D-7
Urei 604E time align (cutting)
Additional equipment:
RH Labs ABX-4 xover
Revox B77
Mastering equipment:
Neumans VMS 70 lathe (JVC quartz lock drive motor); SAL 74 amplifiers modded and no input transformers; SX74 cutting head.
Transformerless console built by JVC; Scully tape transport (SP-14); Saki glass-ferrite heads; hand made amps with NAB/2, CCIR/2, and 30 ips/2 equalization settings.
And they didn't dehorn (way ahead of their times!).
What a walk down memory lane!!!
Pickups:
FR FR1 Mk3
Arm:
FR 64S with B-60 Elevator/Stabilizer
Turntables:
Denon 6000 and 1500
Revox B-790
Preamp:
Mark Levinson ML-1 w/D-6 card
ARC SP6
DB Systems 1a
Amps:
ARC D-110
Threshold CAS-1 (Nelson designed if I remember correctly???)
DB Systems 6m (don't remember this one???)
Speakers:
Beveridge Model 2
RH Labs subs
B&W D-7
Urei 604E time align (cutting)
Additional equipment:
RH Labs ABX-4 xover
Revox B77
Mastering equipment:
Neumans VMS 70 lathe (JVC quartz lock drive motor); SAL 74 amplifiers modded and no input transformers; SX74 cutting head.
Transformerless console built by JVC; Scully tape transport (SP-14); Saki glass-ferrite heads; hand made amps with NAB/2, CCIR/2, and 30 ips/2 equalization settings.
And they didn't dehorn (way ahead of their times!).
What a walk down memory lane!!!
