Kind regards and salutations to all
- Thread starter zerostargeneral
- Start date
Yeah when I say intense I meant in enjoyment... You get so much into each note
That sounds fantastic! I’m glad y’all had a wonderful time!
Good one, would love to have enjoyed that party.
This is a fascinating pursuit. It seems here we are very fortunate once again to be able share in the wildly absolute discovery of a very specific kind of high end extreme exploration, ultra-high sensitivity speakers driven with super low watt SET. It’s brilliant.
Even my small experience with working with Tune Animas (at just about 108db sensitivity) brought home all the great potentials and also challenging constraints of working within that potential high noise envelope especially with amplification. That time was a very enjoyable and big eye opener for me. So to be working in the strata with Pnoes and Thomas Meyer amplification is just exotically specialist audio turf to be playing on. Very exciting to read about this and also the great sessions just spinning discs and marvelling at the music and sonic results.
It’s also great that we also have members at the same time exploring the very top end of both digital and analogue pathways, artisan turntable and cart arm phono stages combinations, others treading the deepest darkest distant realms of cables, grounding systems, all kinds of panels setups, multi way horns and big box cones, fab room setups and amazing music sources and collections.
This place is a seriously marvellous high end learning ground thanks to all you guys blazing even the most wild trails. Please keep up the most excellent work all round.
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My blog on this system here https://www.whatsbestforum.com/thre...s-mayer-vyger-original-lps.27231/#post-550962
Dear General,
This record that you gave me. It is a knock out. The sonic quality is right there in the same alley as IPI jazz tape. Pity Ron does not have a system.
You are a bad disease sir. And that Bonzo guy is spreading it. The only way to contain my association with you is to tell my wife how much these things cost.
Kindest regards,
Tang
This record that you gave me. It is a knock out. The sonic quality is right there in the same alley as IPI jazz tape. Pity Ron does not have a system.
You are a bad disease sir. And that Bonzo guy is spreading it. The only way to contain my association with you is to tell my wife how much these things cost.
Kindest regards,
Tang
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Dear General,
This record that you gave me. It is a knock out. The sonic quality is right there in the same alley as IPI jazz tape. Pity Ron does not have a system.
View attachment 48543
You are a bad disease sir. And that Bonzo guy is spreading it. The only way to contain my association with you is to tell my wife how much these things cost.
Kindest regards,
Tang
Tang, train your immune system to not hold it for long and pass it on to me
Dear General,
You are a bad disease sir. And that Bonzo guy is spreading it. The only way to contain my association with you is to tell my wife how much these things cost.
Kindest regards,
Tang
I would think that this point she'd say, "well as long as it isn't another turntable."
Dear General,
This record that you gave me. It is a knock out. The sonic quality is right there in the same alley as IPI jazz tape. Pity Ron does not have a system.
View attachment 48543
You are a bad disease sir. And that Bonzo guy is spreading it. The only way to contain my association with you is to tell my wife how much these things cost.
Kindest regards,
Tang
It is a wonderful pressing eh, Tang. I have the same one albeit the red sleeve version.
Hi Sammy Welcome to the forum. We need more obsessives. I have heard all about your system from Ked and Martin
Peter
Peter
I cant find my Analog Production reissue. So I cant compare them. But if I have heard the Analog Production pressing sounded this good I would have remembered for sure. His saxophone blast is dynamically stood out, crisp, very vivid, but not a tad thin like I normally hear from some tapes. Even with the Master Sig which is very sensitive to groove noise, I hear nothing in the background. Comparing with Ben Webster's Soulville Analog Production 45, Ben's Saxophone is very dynamic, a lot less crisp, not as vivid and colorful (like putting a slight drop of whte in the color.). Only when you compare it to the ERC you would realize a slight veil. Both are so quiet but one is quiet with more clarity and every tiny details in recording venue. Silly I compare apple to orange. But since I couldnt find my other apple,...orange then.
Tang
I cant find my Analog Production reissue. So I cant compare them. But if I have heard the Analog Production pressing sounded this good I would have remembered for sure. His saxophone blast is dynamically stood out, crisp, very vivid, but not a tad thin like I normally hear from some tapes. Even with the Master Sig which is very sensitive to groove noise, I hear nothing in the background. Comparing with Ben Webster's Soulville Analog Production 45, Ben's Saxophone is very dynamic, a lot less crisp, not as vivid and colorful (like putting a slight drop of whte in the color.). Only when you compare it to the ERC you would realize a slight veil. Both are so quiet but one is quiet with more clarity and every tiny details in recording venue. Silly I compare apple to orange. But since I couldnt find my other apple,...orange then.
Tang
Yes I have that Ben Webster too funnily enough
You should tell him you can hear much more differences in the two LPs in your system. He won't sleep tonight then
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