Transparent Power Cords

mcduman

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Aug 9, 2014
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A couple of years back I acquired half a dozen top of the line Power Link MM's (PLMM) for my main system and 2 High Performance PowerLink's (HPPL) for my HT. The latter are un-networked, higher gauge (thinner) entry level cables from Transparent. My main system at the time consisted of high power amps (krells, ref 610s etc) and multi driver power-hungry speakers (yg, m5 etc) and I was extremely happy with the PLMM. Signal cables were (and to this day are) opus mm's.

Then i developed an interest in higher efficiency speakers and low powered amps but remained confident that the PLMM was the best form of power delivery that i could get my hands on. Yet my system seriously lacked bass and tended to be inconsistent from one day to the other. I put literally 100s of hours in placement, room acoustics and isolation. Then last week, out of boredom, I tried the HPPL with my low-power amp in place of the PLMM and the result was strikingly and consistently better with real bass, drama and color.

I speculate that:

1. perhaps the networked cables store some energy to help delivery of instantaneous power to amps which work great with high power amps but not so great with low power amps. Low power amps instead see increased resistance and latency.
2. Designers must be thinking that SoTA systems are high powered ones. If that's true I do not have try the new Opus Power Cord which I was dying to hear.
3. this is a general concept regardless of brand synergy that's why i did not name the low power amps that i was using
 

jfrech

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A couple of years back I acquired half a dozen top of the line Power Link MM's (PLMM) for my main system and 2 High Performance PowerLink's (HPPL) for my HT. The latter are un-networked, higher gauge (thinner) entry level cables from Transparent. My main system at the time consisted of high power amps (krells, ref 610s etc) and multi driver power-hungry speakers (yg, m5 etc) and I was extremely happy with the PLMM. Signal cables were (and to this day are) opus mm's.

Then i developed an interest in higher efficiency speakers and low powered amps but remained confident that the PLMM was the best form of power delivery that i could get my hands on. Yet my system seriously lacked bass and tended to be inconsistent from one day to the other. I put literally 100s of hours in placement, room acoustics and isolation. Then last week, out of boredom, I tried the HPPL with my low-power amp in place of the PLMM and the result was strikingly and consistently better with real bass, drama and color.

I speculate that:

1. perhaps the networked cables store some energy to help delivery of instantaneous power to amps which work great with high power amps but not so great with low power amps. Low power amps instead see increased resistance and latency.
2. Designers must be thinking that SoTA systems are high powered ones. If that's true I do not have try the new Opus Power Cord which I was dying to hear.
3. this is a general concept regardless of brand synergy that's why i did not name the low power amps that i was using

Interesting post. From what I've read the Opus Power is the first true "networked" cable and that box in some of their prior cords is more around vibration control or some sort of filter (like Ferrite)- just guessing on this later part.

My dealer has the Opus power cables in stock now...I'll get to try them later this week and will post what I think about them.

Have you considered the Gen 5 update to your Opus signal cables? I've done all my interconnects and speaker cables are back right now. It's quite nice...
 

Speedskater

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Sep 30, 2010
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The filter network is not about storing energy, it's about reducing noise/interference above the audio frequency range. But the filter should be near the IEC connector, as a any length of cord between the filter and the IEC acts as an interference antenna.

Actually nothing in an AC power cord can store energy. But good power cords help to reduce the resistance/impedance from your power amp back to the power company's transformer down the street.
 

microstrip

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The best introduction I have ever read about power cables was written by Caelin Gabriel of Shunyata Research Inc. Although this is a Transparent Audio thread, it is general enough to be posted her.


Introduction: “There are a lot of misconceptions about power transmission and power quality that make it difficult for some people to understand why a power cord makes a sonic difference. The first question is – do power cords make any difference at all? There is no sense in talking about theories of operation if we can't agree that there is an audible effect. Most of the thousands of people that use our power cords started out as skeptics and have answered that question for themselves and have found that power cables a power conditioners can have a profound impact on performance. And no - I do not care to debate with people that have not done the simplest of tests about whether power cords work or not. The only cases where a high quality cord does not have significant effects is when it is used with a poor quality power conditioner that acts as a high impedance to instantaneous current flow. “

Misconception #1: AC Power is like water coming from a large power tank, flowing through several 10s of feet of power hose into a component. This implies that the component is at the end of this system.

Answer: “Actually, the component sits between two power conductors: the hot and the neutral. AC power oscillates (alternates) back and forth at a 50-60 Hz rate. So power does not pour into the component at all. The component's power supply is within a complex network of wires and connectors. ALL of the wire and connectors can and do affect the performance of the component's power supply.”

Misconception #2: AC power can be contaminated just like water in a hose. This implies that once the water is contaminated at some point up stream, that is must be cleansed before it arrives at the audio component.

Answer: “As stated in #1, the component is not at the end of the power hose. It is between two power hoses and the current is oscillating back and forth. Further, current is not like water at all. Electrons cannot be contaminated. There are two aspects to power transmission: the electromagnetic wave and the current flow. The current itself cannot be contaminated but the electromagnetic wave can be modulated with other frequencies. We usually call these other frequencies noise or Electromagnetic Interference (EMI). Within the various parts of a power circuit there may be EMI in certain parts that is not present in others. Electromagnetic energy can be transformed or redirected to lessen their effects.

Some power cords use capacitors, inductors, or ferrites in an attempt to control the electromagnetic fields around the audio component. The success of such an approach is completely dependent upon the specific design and the reactance of the power supply of the component to which the power cable is attached.”

Misconception #3: There is up to a hundred feet of wire in the walls, so the last 6 feet of power cord can't possibly make any difference.

Answer: “The power cord is not the last 6 feet, it is the first 6 feet from the perspective of the component. As stated in #1 the local current and electromagnetic effects directly affect the sonic performance of the component.”

Misconception #4: There is a tremendous amount of electrical interference and EMI coming from outside the home that we need to protect our equipment from. This implies that we need some sort of power conditioner or filter to protect the equipment.

Answer: “Most of the EMI that affects the audio quality of a system is generated by the audio components themselves. Electromagnetic waves that traveling through space dissipate in power at the square of the distance from the source. Further, very high frequencies that propagate through the power circuit do not survive for long. Power lines present a high impedance to MHz and GHz signals due to the relatively high inductance of power lines.

A primary source of audible sonic degradation is caused by the power supplies in our audio/video components. Most components use FWBR (full wave bridge rectifier) power supplies that generate an incredible amount of transient noise when the rectifiers switch off. The design of a power cable can significantly affect the reactance of these signals within the power supply. The power cable is effectively part of the primary winding of the power transformer. The transition between the various metals used in a power cable and it's connectors can cause electromagnetic reflections and diode-like rectification of the noise impulses as they propagate away from the power supply. If the power cable presents a high impedance to these signals they will be reflected back into the power supply where they will intermodulate, thus increasing the high frequency noise levels of the component. Most power supply filters are ineffective at blocking very high frequency noise components and much of it is passed through to the DC rails. The sonic effects of this include: high background noise levels, blurred or slurred transients and a general lack of clarity and purity of the sound or visual image.”

Misconception #5: There is some sort of conspiracy among audio designers that keeps them from producing a "proper" power supply that is not affect by power cable quality.

Answer: “This concept is like saying that if a speaker where properly designed, you wouldn't need to use a good quality speaker cable. PowerSnakes have been tested with the most modest of mid-fi equipment and the most exotic state of the art components. We have yet to find a component that cannot be improved by replacing the power cord.

As long as power supply design is based upon FWBRs or switching supplies, the power cord will always be significant.”

Misconception #6: High-end power cords just increase the circuit capacitance acting as a high-frequency shunt

Answer: “There are some power cords that ARE designed this way. Some even insert capacitors within the cable to further increase capacitance. This approach has some positives and many negatives including the reactive interference with the way many power supplies are designed.

Capacitance alone cannot account for the differences in a power cord's performance. There are some high-end power cords that are very effective that have virtually immeasurable levels of capacitance. These cables are usually designed around hollow tubes with the conductors inside. The conductors are several inches apart and cannot significantly affect the capacitance of the power circuit.”

Misconception #7: Power cords are just like speaker cables; always the shorter the cable the better.

Answer: “Some speaker cable designers would argue that a speaker cable below a certain length is not better. We will let them address the issue if they desire.

A speaker cable conducts an audio signal from the power amplifier to the speaker. The distance is quite small, on the order of a couple of feet to several feet. The quality of a speaker cable is determined by how well it can transmit the signal from the amplifier to the speaker without alteration.

A power cable on the other hand is not transmitting a signal. It is conducting A.C. power and its sonic superiority will be determined by its ability to deliver current (steady-state and instantaneous) and its ability to deal with the EMI effects of the components to which it is attached.

Since a power cord is composed of a hot and neutral wire that the component sits between, a change in the length of the cord will increase the size of the "buffer" around the component. In general, I would not recommend a power cord that is shorter than 3 feet or 1 meter in length. But subtle degrees of audio performance are not the only consideration when putting together an audio system. Esthetics is also important especially when the system is located in a beautiful home. I just point out the performance differences so that people can make an informed decision when determining the optimum length for their cables.

There is much more that can be discussed about power delivery but for the sake of brevity I'll cut it short at this point. On a personal note I would like to say that I was an audiophile long before I was a manufacturer of audio products. Before Shunyata Research I designed high speed networking devices and can tell you that there is a lot more money to be made in the computer industry. Like many of the manufacturers of high-end audio components, I design my products for myself and for the love of music. If other people like what I have created - great. If after trying our product you prefer another - great. There is a wide diversity of preference and subjective perception among individuals. Thank goodness there is also a wide diversity of manufacturers that create products to serve a variety of tastes.”


Caelin Gabriel
Shunyata Research Inc.
End of quote.


I am now trying a few Transparent Audio power cords of type PowerLink MM2 (just bellow the OPUS) in my system. The effect on bass energy and slam is immediately noticeable.
 

mcduman

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Aug 9, 2014
126
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325
Interesting post. From what I've read the Opus Power is the first true "networked" cable and that box in some of their prior cords is more around vibration control or some sort of filter (like Ferrite)- just guessing on this later part.

My dealer has the Opus power cables in stock now...I'll get to try them later this week and will post what I think about them.

Have you considered the Gen 5 update to your Opus signal cables? I've done all my interconnects and speaker cables are back right now. It's quite nice...

yes i am considering Gen 5 everyday. but my system is in a state of transition. to single driver or perhaps horn-loaded (modern or vintage) speakers. meanwhile trade-in prices increased twice in January and September :)
 

mcduman

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Aug 9, 2014
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microstrip,

i have those and yes they are dream cables. I am finding out these days somehow they get along with some amps better than others
 

jfrech

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I am now trying a few Transparent Audio power cords of type PowerLink MM2 (just bellow the OPUS) in my system. The effect on bass energy and slam is immediately noticeable.

I have 2 Transparent Opus Gen 5 Power (both broken in) cords I am demo'ing. I have a lot of moving parts right now. A new amp breaking in with ~24 hours on the clock (Ayre MXR's now sold and a brand new Nagra Classic amp replacing). And I have Ref mm2 speaker cable on loan while my Opus mm2 is getting upgraded to Gen 5. Both Transparent Opus power cords replacing Shunyata Sigma Analog. The Sigma on the amp is going to the wall, the Sigma on the pre going to my Triton v2. Both Transparent Opus Power I have straight to the wall (on amp and pre)

I did one at a time. The results were the same. The Shunyata's have more resolution and seem to have the images move better around the stage. Maybe a touch more depth. The Transparent's better dynamics, better weight on the notes, seems quicker and louder too. Hard to say if one is better. System matching may dictate...and more time to listen and let my new amp to settle down. So this isn't a definitive statement...more a work in progress.

Net net..the Transparent Opus power cords are very very nice. Are they worth 2x the Sigma Analog price? Can't say just yet
 
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mcduman

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Aug 9, 2014
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i am more and more convinced the PLMM's were designed for a typical system consisting of high powered tube amps (ie arc) and ported multi-drivers (ie wilsons). there you need to tighten the bass a little. jfrech can i predict that with the MX-R you had too much control and leanness in the bass and a shorter-than-ideal image size? well that's my experience anyways
 

jfrech

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i am more and more convinced the PLMM's were designed for a typical system consisting of high powered tube amps (ie arc) and ported multi-drivers (ie wilsons). there you need to tighten the bass a little. jfrech can i predict that with the MX-R you had too much control and leanness in the bass and a shorter-than-ideal image size? well that's my experience anyways

Didn't really workout that way from me. I do think different equipment reacts to power cords in different ways. So I am not disputing your findings....I just see to be having a much better outcome...
 

Tony007

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Dec 29, 2012
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I have 2 Transparent Opus Gen 5 Power (both broken in) cords I am demo'ing. I have a lot of moving parts right now. A new amp breaking in with ~24 hours on the clock (Ayre MXR's now sold and a brand new Nagra Classic amp replacing). And I have Ref mm2 speaker cable on loan while my Opus mm2 is getting upgraded to Gen 5. Both Transparent Opus power cords replacing Shunyata Sigma Analog. The Sigma on the amp is going to the wall, the Sigma on the pre going to my Triton v2. Both Transparent Opus Power I have straight to the wall (on amp and pre)

I did one at a time. The results were the same. The Shunyata's have more resolution and seem to have the images move better around the stage. Maybe a touch more depth. The Transparent's better dynamics, better weight on the notes, seems quicker and louder too. Hard to say if one is better. System matching may dictate...and more time to listen and let my new amp to settle down. So this isn't a definitive statement...more a work in progress.

Net net..the Transparent Opus power cords are very very nice. Are they worth 2x the Sigma Analog price? Can't say just yet


How's the demo coming along? Any further thoughts on the Opus powercords?
 

jfrech

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How's the demo coming along? Any further thoughts on the Opus powercords?

I'm waiting for my Opus speaker cable to come back from the Gen 5 update before I comment more. What I typed above is pretty spot on...I've been listening the Opus power cord exclusively on my amp (hint) for the last week...
 

jfrech

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How's the demo coming along? Any further thoughts on the Opus powercords?

I've bought 1 (for my amp). Plan on buying a 2nd next week. 2nd I am demo'ing for my preamp. (but to be honest-i'll buy it) They are special. Even vs a full Shunyata Triton v2/Typhon/Sigma cords set up. I am not so sure about these cords vs Shunyata on the source equipment just yet (like digital or phono stages). Pretty dang happy with my DPC6 v2/Tritonv2/Typhon there.

I think some of this is system matching...the Shunyata's are VERY good too.

Tough call. You can't go wrong with either.
 

chrisr

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John, have you ever compared the Shunyata triton/typhon/dpc6 to Transparent's power isolator products? I am wondering whether the power isolator products might give you the same isolation effect on the front end components or other components. Thanks.
 

jfrech

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John, have you ever compared the Shunyata triton/typhon/dpc6 to Transparent's power isolator products? I am wondering whether the power isolator products might give you the same isolation effect on the front end components or other components. Thanks.

Sorry I missed this. I have not. I have however bought 2 Transparent Opus power cords and 2 Transparent Opus Source power cords. I'm impressed with Transparent's latest power cords...pricey...but impressive. They score very high marks in resolution, body, weight on the notes, quietness, dynamics and frankly...just nice to listen to-they pull you into the music.
 

GuillaumeB

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Has anyone had a chance to hear the newly announced Gen 5 XL power cable? I'm also intrigued by the Opus. I currently have top of the range Entreq Atlantis mains cables and would be interested in comparing them. I also have Gen 5 XL speaker cable and use Ref XL digital cables in my system (Devialet 900 + Wilson Sasha2) and was thinking about synergies... Anyway any thoughts would be much appreciated!

Guillaume
 

jfrech

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Has anyone had a chance to hear the newly announced Gen 5 XL power cable? I'm also intrigued by the Opus. I currently have top of the range Entreq Atlantis mains cables and would be interested in comparing them. I also have Gen 5 XL speaker cable and use Ref XL digital cables in my system (Devialet 900 + Wilson Sasha2) and was thinking about synergies... Anyway any thoughts would be much appreciated!

Guillaume

I have not tried the new Ref XL power cord. I now have 3 Opus Source cords and 2 Opus cords. I will these are incredibly synergistic with my Opus Gen 5 cabling. In fact I'd describe these Opus cords very similar to the signal cabling...so I'd imagine it's worth you trying 1 Ref XL cord in your system...I think the odds are high you'll like it.
 

GuillaumeB

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I have not tried the new Ref XL power cord. I now have 3 Opus Source cords and 2 Opus cords. I will these are incredibly synergistic with my Opus Gen 5 cabling. In fact I'd describe these Opus cords very similar to the signal cabling...so I'd imagine it's worth you trying 1 Ref XL cord in your system...I think the odds are high you'll like it.

Thank you!

Guillaume
 

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