OMGosh, are we now talking about putting Diamond Resonators ON TP, as well as under gear?
Isn't £1700-£2300/component w.3 Ultra or Giants DRs underneath, sufficient expenditure LOL?
Trans Fi Salvation tt & Terminator arm/Soundsmith Straingauge SG200 cart w.Red Wine batt psu/Eera Tentation cdp/Nat Audio Utopia line stage & SE2SE SET monos w.NOS '48 GE tubes/Zu Definitions 4 spkrs w.Duelund caps & Lundahl transformers/Symposium Isis & Rollerblocks isolation/Sablon Reservas ic's, sc's & pc's/Westwick 8kVA balanced pwr, Oyaides dedicated lines w.Furutech US sockets/Entreq Silver Tellus & Olympus Minimus ground boxes, Silver Cleanus passive filter, Apollo ground leads
I read thru this thread and I am intrigued by what I'm reading. I have the whole decoupling thing handled with Herzan and Wave Kinetics A10 U8's and 2NS's. I'm curious about gear resonance and acoustics tuning.
if one were to jump into the Shun Mook pool; what would be the proper degree of 'jumping' to discover whether they were effective?
3 sets of Mpingo Discs?
3 of the wood holders for the discs?
2 sets of 3 Ultra Diamond Resonators?
I'm thinking on top of my darTZeel 458 mono blocks. on top of my Entreq Poseidon and Silver Tellus. on top of my Golden Gate. on top of my (86" tall) speaker towers? possibly on my baseboard rounded soffit surface at the front of my room or on the windowsills?
maybe on the arm board of my tt. I already have a wonderful Durand tt weight that I love.
coach me up a bit. my system does seem to relate the smallest changes clearly.
Last edited by Mike Lavigne; 01-10-2016 at 10:40 AM.
Hi Mike, the Mook designer lives on the West coast. Call him over with a van of his toys. There are many more in his kitty than what we use