Hi guys. As is usually the case, I get my inspiration for articles from online discussions. This one on room equalization is no different. People insist that for movies at least, there is a magical curve that once you match it, you are hearing what was heard during the production of the movie. This is wrong and I explain that in my article that came out in Widescreen Review Magazine a couple of months ago: there is no there in audio: http://www.madronadigital.com/Library/Room Equalization/Room Equalization.html
This is slightly revised and edited version. So please let me know if you see typos and such.
Also, I have written a much deeper dive into the "X curve" cinema target curve as a follow up to this article which should come out in the next issue of Widescreen Review magazine.
BTW, the article is just as applicable to music sound so I hope you read it if movie sound is of no interest to you .
This is slightly revised and edited version. So please let me know if you see typos and such.
Also, I have written a much deeper dive into the "X curve" cinema target curve as a follow up to this article which should come out in the next issue of Widescreen Review magazine.
BTW, the article is just as applicable to music sound so I hope you read it if movie sound is of no interest to you .