Behold! The £2500 album

Barry2013

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Oct 12, 2013
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The title of a feature article in The Independent, a UK national newspaper, on 16 December about the Electric Recording Company based in London.
The owner and founder, Peter Hutchison, has been producing new vinyl records.The company faithfully reproduces ultra rare 1950s and 1960s LPs from the original masters using only vintage valve driven equipment.It also includes recreating album sleeves using authentic materials, typesetting the lettering and printing on a five and a half ton Heidelberg cylinder press dating from the 1950s.
A single product can take up to a year to create and to date has produced only seven classical releases priced between £300 and £2,500 and limited to 300 copies only.The last is a lavish seven disc compilation of Mozarts work in Paris originally produced by Freanch Pathe to celebrate the bicentenary of Mozarts's birth. Having struck a deal with Los Angeles based Concord Music Group Hutchison is now looking to work with the master tapes from seminal American jazz labels Prestige,Riverside and New Jazz.
He has located and had restored some of the few surviving examples of the valve equipment.
In January the label will begin releasing rare American jazz recordings from the 1950s and 1960s by artists including Tommy Flanagan, Hank Mobley, Elmo Hope, and John Coltrane, all produced by the legendary Rudy Van Gelder,
At a cost of £50,000 Hutchison set about acquiring and restoring the 1950s original valve processing tools used by the producer. They include a Gotham cutting amplifier, Ampex 300 valve tape machine and a Scully Lathe adapted for UK mains by retired Rolls Royce service engineers.The new set up enables Hutchison to cut master lacquers in true mono from the original master tapes using all valve equipment.
The reporter listened to some of the Mozart discs and said:-
"The sound leaps from the speakers (not specified) and fills the room with a remarkable vitality that is truly captivating. The detail is so sharp it feels as if the musicians are present; every nuance of Jacques Dumont violin and Robert Veyron-Lacroix harpsichord is captured beautifully. I can almost hear them breathe. I sit back in silence and marvel at the clarity."
It is the first I have heard of this company and it sounds really exciting if expensive. I now going to check them out as I assume they have a website in the company's name and I am sure other members will wish to do the same.
Christian, some vinyl truly worthy of your system!
 

spiritofmusic

Well-Known Member
Jun 13, 2013
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OMG!!! I think I died and went to Heaven hearing this. And I don't even think I'll own any of this stuff :b! Just can't see a digital download w/the lust meter reading at 11.
 

daytona600

Well-Known Member
Sep 9, 2012
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scotland
these are actually worth £ 300
warning extreme analogue porn
 

MadFloyd

Member Sponsor
May 30, 2010
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I have 3 or 4 of their releases thus far. Nice stuff.
 

astrotoy

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May 24, 2010
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I was introduced to Pete about 4 years ago by his partner Dave Parsons whom I have been a customer for several years. At that time, the vintage equipment he had acquired was still pretty much in shambles. I took a few pictures then, and will try to post them if I can find them. For the next three years, I would either see Pete or Dave on my annual month in London and follow their progress, first with the restoration of the equipment and then with the first test pressings of the Johanna Martzy mono Bach Violin Sonatas and Partitas (which are among the holy grails of classical music collectors in their original EMI releases). We did comparisons of the Electric Recording Company release of one of the Martzy albums with an original issue and a Glenn Armstrong Coup d'Archet reissue that I happened to have in London. The next year, Dave had a test pressing of the Kogan Beethoven Violin Concerto, their first stereo release, derived from a very pricey original EMI Columbia SAX recording.

One key to their pricing model is the demand from high wealth collector in Asia, who have been customers of Dave. Also choosing albums which are very expensive to buy on the used market (for example, each of the 3 Martzy Bach albums goes typically for 1200GBP or so (US$1900), while the Kogan Beethoven is higher than that). The 7 disc Mozart a Paris set is in price range of 'if you have to ask ..." So getting a beautiful, pristine copy - really a reproduction - for 25% or less of an original is a relative bargain.

The albums are extremely well done. They really try to duplicate the originals in every respect, except that they have to use the EMI logo rather than the HMV "
Little Nipper" dog found on the original, since that is an exclusive of RCA Victor in the US.

I didn't see Dave or Pete this past year summer, being too busy with the final details of my Decca book, but I'm glad to hear they are working on the jazz releases.

The original negotiations, which began with EMI and Pete's relationship with them, resulted in a list, (which I have somewhere) that Dave (whose Classicalvinyl webstore has one of the consistently most interesting and rare used classical records list) put together and EMI agreed to license to them. At one point, I even saw the master tapes of one of the Martzy Bach albums at Pete's studio.

I tried to see whether they would produce 15ips 2 track tapes of their releases, since I would be willing to pay 300GBP for such an album. They told me there was some interest in that and they had the means to do the duplications, but then things changed with the dissolution of EMI and the split of the company into classical which went to Warners and pop to Universal. So getting EMI to agree to modify their license to include R2R tapes, was out of the question, since that meant a complete renegotiation with Warners, not EMI. The last I heard was the original deal with EMI was still on, but now they would have to execute it through Warners.

Larry
 

jazdoc

Member Sponsor
Aug 7, 2010
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Interested what jazz titles they come up.
 

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