I'm pretty much Mac-centric these days. I know Discogs has a cataloging feature but:
1. I gather that entries are made by searching the releases already in that database and adding them. What about things like promo releases, test pressings and the like?
2. Do I really need or want it to be cloud based? (Upside- computer crash doesn't affect; downside- it's that I want to hold it in my own network kinda thing).
3. Ease of use. This is going to be a giant PITA given how many records I have. I figure it's something to chip away at, perhaps even during listening sessions. (I often read for pleasure and am sometimes on line while I have the stereo going, so it's not that big a distraction. I don't do 'work' work while listening- total buzzkill on the music and it's distracting).
4. How do you tie physical placement of the vinyl to the database? In other words, for those of you with fairly large vinyl collections, does the physical placement of the albums correlate with the organization of the database in some way- pop, soul, jazz, blues (all those lines can blur), classical, etc? I have some fairly rough landscaping of the collection, but it's on a pretty 'gross' level and individual albums are not organized within those categories- some of my gross categories are simply based on label for classical.
5. Any suggestions for easy to use, but scaleable for additional data field entries would be good.
6. What's realistic for those of you who have been through this process? How much data do you capture other than title, artist, label, genre, and perhaps some particulars re the pressing? I can't imagine adding playgrading as part of a cataloging process, but maybe, once started, some additional notes would be appropriate.
7. I guess the value of the Discogs database is that you can quickly do such things as get current value, or import additional data as you want, without typing it all in.
What say youse?
1. I gather that entries are made by searching the releases already in that database and adding them. What about things like promo releases, test pressings and the like?
2. Do I really need or want it to be cloud based? (Upside- computer crash doesn't affect; downside- it's that I want to hold it in my own network kinda thing).
3. Ease of use. This is going to be a giant PITA given how many records I have. I figure it's something to chip away at, perhaps even during listening sessions. (I often read for pleasure and am sometimes on line while I have the stereo going, so it's not that big a distraction. I don't do 'work' work while listening- total buzzkill on the music and it's distracting).
4. How do you tie physical placement of the vinyl to the database? In other words, for those of you with fairly large vinyl collections, does the physical placement of the albums correlate with the organization of the database in some way- pop, soul, jazz, blues (all those lines can blur), classical, etc? I have some fairly rough landscaping of the collection, but it's on a pretty 'gross' level and individual albums are not organized within those categories- some of my gross categories are simply based on label for classical.
5. Any suggestions for easy to use, but scaleable for additional data field entries would be good.
6. What's realistic for those of you who have been through this process? How much data do you capture other than title, artist, label, genre, and perhaps some particulars re the pressing? I can't imagine adding playgrading as part of a cataloging process, but maybe, once started, some additional notes would be appropriate.
7. I guess the value of the Discogs database is that you can quickly do such things as get current value, or import additional data as you want, without typing it all in.
What say youse?