bonzo75

  1. Thoress Phono Enhancer vs. Aesthetix IO Signature

    Quote Originally Posted by bluepearl View Post
    Good day,

    It seems there are several users of both the Thoress Phono Enhancer and the Aesthetix IO phono stage on this forum, I am presently considering both phono units and I would greatly appreciate feedback from users, ideally from someone who has owned/auditioned both. I am specifically considering the Aesthetix Signature version for budgetary reasons. Although I would also appreciate user feedback regarding the sonic benefits of the IO Eclipse vs. the IO Signature model.
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  2. Checking tube bias

    Quote Originally Posted by microstrip View Post
    Quote Originally Posted by Calle_jr View Post
    I have the Jadis JA-80 and my friend has VTL MB-750. We don't have the same speakers, and I think that's what makes the biggest difference.
    I think you should keep the MB-750. The Jadis are wonderful and I will keep mine forever for the wonderful dynamics they are capable of. The thing with Jadis is that they have extreme spec tolerances. You really have to match tubes every time. If not, caps and things start to melt in them.
    A big advantage with the MB-750s is that they measure and
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  3. Best Acoustic Products for First Reflection Points

    Quote Originally Posted by caliaripaolo View Post
    Quote Originally Posted by Ron Resnick View Post
    What is your recommendation for acoustic treatment products to absorb or diffuse the sound from the loudspeakers hitting the first reflection points?

    ASC, for example, makes sound-absorbing rectangles, around 1" to 3" thick, that can be mounted on the wall or just leaned against a wall at the points of the first reflection.

    RPG has a bewildering array of products. What is the best RPG product for absorption and for diffusion at the first reflection points?
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  4. Best Acoustic Products for First Reflection Points

    Quote Originally Posted by Mike Lavigne View Post
    I have a completely different take on this question.

    there are multiple cases to consider. first is driver type. obviously dipoles and horns interact differently with side walls and ceilings than cones.

    I think for Ron's question we are speaking about cones mostly.

    next is local and global. local is where there is relatively close distance between the speaker and wall, global is where the distance from speaker to wall is farther. and the actual issue
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  5. Shunyata DENALI and Triton differences

    Quote Originally Posted by GrantS View Post
    Quote Originally Posted by Horatio View Post
    Thanks Grant for the reply. The question for me now is, what should I choose to do (I live in the Netherlands and cannot upgrade, very unfortunately (why not by the way, even if it's more expensive than the US upgrade, I'd still be happy to do that)? I prefer to opt for the best sound, but experiences concerning the difference between the Denali and the Triton v3 plus Typhon are not unequivocally clear to me, so maybe you can help me. I saw a sort of scale determination, where the Triton v2 got
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